So, turns out it's hard to write a novel in a month. Who knew? I end National Novel Writing Month just shy of 10,000 words, less than 20% of the way to the goal. But I think that the novel I've begun is actually good, and something I will finish. And I've gotten better (I think) at setting aside some time each day to write, though that's gotten a bit harder as the days have gotten busier due to the continual jettisoning of parts by my faithful steed, which will now only run where gravity takes it (Which is not far, since the way out of the parking lot is uphill). Yay for buses!
Anyway, 2,147,483,647 words were written by the participants last month, and congratulations to all of them. In this sort of race against the clock, everyone can set aside personal competition and just write without regard to how their quality stacks up against that of others, which is presumably something of a liberating feeling, and something I did not manage to achieve. Which is why I bet my book-in-progress is better than theirs (collectively). With the pace I've set for myself, they'll get to find out this summer.
In unrelated news, I'm volunteering at Vermont Public Television tonight for what I presume is pledge drive assistance. I think this officially makes me a member of the liberal elite. Does the title come with a paycheck?
Showing posts with label Admissions of defeat. Show all posts
Showing posts with label Admissions of defeat. Show all posts
Wednesday, December 2, 2009
Tuesday, June 23, 2009
V: Taking Over
Look, here's the thing. I thought this idea would be a fun lark, but it's really not working so far. While it is still fun to watch a terrible movie every now and again, it turns out writing up every single event in said movie is not really all that enjoyable (How is it to read?). So after a lot of thinking about it (Seriously. How long has it been since I wrote one of these?), I have decided to man up and admit it. If you're at all interested, right now some indeterminate Asian man is performing kung-fu in front of a pagoda. I am not. To give you the full background, here's where the idea came from. I used to live in Park Slope, a nice neighborhood in the oftentimes terrifying Brooklyn, New York. This area features approximately two bodegas per square foot, which presumably decreases profitability significantly. So to compensate for this, one of the bodegas on the way to the subway evidently rented out their window as advertising for Dragon Wars, with a poster featuring two dragons (Which are Chinese dragons, meaning they really just look like oversized snakes. Lame) snarling at each other over the ruins of a city. Needless to say, this made me rather excited. And when the movie came out, my fellow awful film afficionado Robert Fliegel (Hereafter referred to as Bob. Because that is what he goes by) took the initiative to both rent this cinematic masterwork and invite myself and Sir Nicholas Managanananananan, along with our significant others, over for a night of Masterpiece Theater and Malt Beverages (By the way, the next time we are in the same city, the film of choice is going to be Outlander, a movie about a man from outer space whose spaceship crashes in 8th century Norway. He then has to team up with Vikings to fight a monster that escapes from the ship. I am excited). About halfway through the film, two of the others retired to any room in the apartment not showing Dragon Wars, with only the Official Girlfriend sticking it out for the fair sex. Afterward, she mentioned how bad the movie was. Now, I clearly had to defend its honor, so I countered her false accusation with the demonstrably true statement that it was, in fact, the best movie ever made. And, barring occasional references to it in the months that followed, I figured that would be just about the end of that.
And then she bought the movie for me as a Christmas gift.
Now what was I to do? What started as a bit of a laugh on Terrible Movie Night had turned into a game of one-upsmanship, a game which she evidently had mastered on the sly without telling me. So I began this series of blog posts as an attempt to raise the stakes even higher, but sadly it looks like this is one game I'm going to lose. So I guess I might as well tell her and oh my god, that's a dinosaur with a rocket launcher. I cannot even begin to tell you how awesome this is. The time-honored 'Period after each word' strategy does not even begin to do it justice. G.r.e.a.t.e.s.t. i.d.e.a. e.v.e.r. Think of the most awesome thing you can possibly think of. Now think of that thing getting blown up by a dinosaur wielding a rocket launcher. Not that I am necessarily calling the rest of this film the greatest thing ever (Though it's certainly moving in that direction now), but that is a reasonable approximation of what is happening on the television at the moment. In a movie as uninspired as this one, where did this genius come from? Well, let's start at the beginning.
Much as there are 55 dramatic situations usable by authors the world over, for years there have been attempts to precisely codify the possible animal-weapon combinations. As with most things, this began with Miguel Cervantes, who introduced the world to the concept by arming a horse with a lance-wielding buffoon in Don Quixote. And while this was certainly a ground-breaking beginning, there was clearly work to be done. This would be continued by Thomas Jefferson, who, in an attempt to better protect the populace, gave all Americans the right to an armed bear (Congress, feeling this could be dangerous, changed bear to buffalo, something that completely fails to help people now that the species has dwindled). Henry David Thoreau chimed in with Turtle Chainsaw Massacre, a book whose title he changed to Walden upon having it pointed out to him that it was unclear whether the turtles were the massacrers or the massacrees (It was the first). But scholars generally agree that the definitive work on the subject was provided by Carolyn Keene (Who knew? (Also, I'm not going to say who she is. You have Google. Look her up)) in 1951, when she officially submitted two lists to the world for consideration:
Finally, writers everywhere knew what options they had. By combining an entry from column one with one from column two, every possible animal-weapon combination was literally on the tip of their pen, waiting to be brought to life for consumption by the masses. And while I mean no disservice to Carolyn, one of these combinations is clearly better than the rest, as measured in sheer awesomeness. And it is sitting on the TV screen in front of me. And thus I shall boldly press on. Bravo, Dragon Wars. Bravo.
And then she bought the movie for me as a Christmas gift.
Now what was I to do? What started as a bit of a laugh on Terrible Movie Night had turned into a game of one-upsmanship, a game which she evidently had mastered on the sly without telling me. So I began this series of blog posts as an attempt to raise the stakes even higher, but sadly it looks like this is one game I'm going to lose. So I guess I might as well tell her and oh my god, that's a dinosaur with a rocket launcher. I cannot even begin to tell you how awesome this is. The time-honored 'Period after each word' strategy does not even begin to do it justice. G.r.e.a.t.e.s.t. i.d.e.a. e.v.e.r. Think of the most awesome thing you can possibly think of. Now think of that thing getting blown up by a dinosaur wielding a rocket launcher. Not that I am necessarily calling the rest of this film the greatest thing ever (Though it's certainly moving in that direction now), but that is a reasonable approximation of what is happening on the television at the moment. In a movie as uninspired as this one, where did this genius come from? Well, let's start at the beginning.
Much as there are 55 dramatic situations usable by authors the world over, for years there have been attempts to precisely codify the possible animal-weapon combinations. As with most things, this began with Miguel Cervantes, who introduced the world to the concept by arming a horse with a lance-wielding buffoon in Don Quixote. And while this was certainly a ground-breaking beginning, there was clearly work to be done. This would be continued by Thomas Jefferson, who, in an attempt to better protect the populace, gave all Americans the right to an armed bear (Congress, feeling this could be dangerous, changed bear to buffalo, something that completely fails to help people now that the species has dwindled). Henry David Thoreau chimed in with Turtle Chainsaw Massacre, a book whose title he changed to Walden upon having it pointed out to him that it was unclear whether the turtles were the massacrers or the massacrees (It was the first). But scholars generally agree that the definitive work on the subject was provided by Carolyn Keene (Who knew? (Also, I'm not going to say who she is. You have Google. Look her up)) in 1951, when she officially submitted two lists to the world for consideration:
Finally, writers everywhere knew what options they had. By combining an entry from column one with one from column two, every possible animal-weapon combination was literally on the tip of their pen, waiting to be brought to life for consumption by the masses. And while I mean no disservice to Carolyn, one of these combinations is clearly better than the rest, as measured in sheer awesomeness. And it is sitting on the TV screen in front of me. And thus I shall boldly press on. Bravo, Dragon Wars. Bravo.
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